Burnetts brush strokes spread color throughout Bremerton
Jun 07 2008
Amy Burnett is at it again.
During Junes First Friday Art Walk this Friday, shell be officially donating a piece of her work to the Olympic College Haselwood Library with a ceremony at her gallery in downtown Bremerton. Haselwood Library Dean Ruth Ross will be there to accept around 6:30 p.m. June 6. Its just part of a big shindig that includes an exhibit of entirely new work from Burnett, a museum of Pyrex and more.
Burnett said donating this art to the library is a way for her to say thank you for all that theyve done, both OC and the Haselwood family in particular.
I really wanted to do this for Joanne (Haselwood) she said, reflecting for a moment. I just hope that it makes her smile.
The piece is wonderfully titled for a library setting. Its called Blocked Communication.
Think in spacial connotations.
Its been decided that it will hang above the stairway in the library at OC. Its been a donation long in the works, Burnett said, something shes always wanted to do.
Shes an Olympic College double alum, both as student and a teacher. Shes a fourth generation Bremertonian, a masters-educated fine artist, community organizer and published writer. Her story is fairly well known.
A nationally shown, nationally known fine artist with work all over the country, she opened the Amy Burnett Gallery with the help of the community in 1991.
This way Ill be able to preserve the arts, she said. Always have a place for the arts in Bremerton.
Unfortunately, that came at the cost of many prestigious showings around the country as Burnett found how difficult it was to keep her art in good rotation in the gallery circuit while managing a gallery of her own.
However, her gallery space, now on the corner of Fourth and Pacific, has indeed always been a harbor for arts, both her own and other artists work, also hosting dance troupes and providing storage space for the local puppet theater.
Recently, the Naval Museum ?the gallerys former neighbor moved to its new location, opening up more space in the gallery, which Burnett used in turn to rent out as studio space for an array of local artists.
I had a lot of people who wanted to rent the space, but nothing that I thought really appropriate, Burnett said.
That is until the thought of studio space arose. The basement of the place is perfect.
Painter Mary Doyle and jazzman/guitar teacher Bub Pratt share a checker-floored studio at the bottom of the stairs in between another artist studio on one side and a temporary exhibit The Paper Bag Museum on another. Mixed media artist Juan Rodriguezs studio is at the far end. Upstairs, past Burnetts space on the main floor of the gallery, there is the studio of Mozzelle.
This whole building is kind of an installation, Burnett said.
And its all going to be on display for big First Friday party, the biggest of the year some are saying. Its the debut of a new exhibit of Burnetts new work in the side gallery called Shapes of Nothing.
A subtly radical change with great potential either way, its Amy Burnett in complete aesthetic abstraction. Which is a bold exploration for an artist whose subject symbolism, imagery and character emotion are so strong.
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